We had a bit of sun over the weekend, so I took the opportunity to take pictures of another make from the last month or so.
Disclaimer: despite my last garment post being roughly a month ago, I actually sewed, sewed, sewed this month and have no less than 3 (or 4?) things to photograph. I also have plans for three more things: a pair of linen trousers for Mr T (already cut!), and for me a party dress (I'm making the pattern on this one too) and a work dress. And that's just from full lengths of fabric!
Let me not digress, and present you with an obligatory auto-awesome of my new Afternoon Blouse:
This version is 100% linen that I bought in my grandma's town. It is light-weight, so something that doesn't have much structure is better suited I thought. I managed to squeeze both this and a shift dress from about 2 meters of fabric. I'll try to take pictures of the shift dress for my next post.
I really fell in love with the shade of gray - it's rather perfect for summer, and goes with everything, especially my Totoro jeans. I style it with the jeans for "casual" outings... including work :)... and having recently discovered that one can wear scarves in a way that doesn't scream "I'm over 50" (hopefully; I might feel like I'm 50 inside which would explain the newly-found acceptability of such an accessory but truth be told I'd rather not dwell on the idea for too long), I started wearing those too - this blouse works with every single scarf I own.
Pattern-wise, this version incorporates the changes I mentioned in my last post on slopers. I'm happy to report that the front wedge is gone.In a happy turn of events, with the removal of the wedge, the V-neck also sits better.
Here's a side-by-side comparison of the two makes:
The linen wears quite well, although being linen it's quite wrinkly. I didn't do anything like underlining, because I wanted this to be a simple top. As before, no swayback, and I'm really grateful that this pattern doesn't require that particular alteration:
For the facing, I used a matching grey cotton since I didn't have enough linen for that as well. I used the overcast stitch on my machine to finish the edges for it, but I wasn't very happy:
... So I decided to turn under and topstich for the rest of the blouse. I find this is a decent finish. It also makes for a fully topstitched garment, and roughly an extra hour of sewing. I used cream thread, which is invisible from afar but an interesting detail close by.
One benefit of topstitching everything is that I didn't have to tack down the facing, since it got caught it:
For the button, I used a fairly heavy sun button I picked up in a local shop called Manor. I bought this about a year ago, before I moved to Switzerland:
It's quite pretty, and it matches the general summer-sun-happy state that I get from this blouse.
How about you? Do you have a favorite style or fabric type that makes you think of summer?
Disclaimer: despite my last garment post being roughly a month ago, I actually sewed, sewed, sewed this month and have no less than 3 (or 4?) things to photograph. I also have plans for three more things: a pair of linen trousers for Mr T (already cut!), and for me a party dress (I'm making the pattern on this one too) and a work dress. And that's just from full lengths of fabric!
Let me not digress, and present you with an obligatory auto-awesome of my new Afternoon Blouse:
![]() |
Silly auto-awesome cuts off my head and I can't fix it! |
This version is 100% linen that I bought in my grandma's town. It is light-weight, so something that doesn't have much structure is better suited I thought. I managed to squeeze both this and a shift dress from about 2 meters of fabric. I'll try to take pictures of the shift dress for my next post.
I really fell in love with the shade of gray - it's rather perfect for summer, and goes with everything, especially my Totoro jeans. I style it with the jeans for "casual" outings... including work :)... and having recently discovered that one can wear scarves in a way that doesn't scream "I'm over 50" (hopefully; I might feel like I'm 50 inside which would explain the newly-found acceptability of such an accessory but truth be told I'd rather not dwell on the idea for too long), I started wearing those too - this blouse works with every single scarf I own.
Pattern-wise, this version incorporates the changes I mentioned in my last post on slopers. I'm happy to report that the front wedge is gone.In a happy turn of events, with the removal of the wedge, the V-neck also sits better.
Here's a side-by-side comparison of the two makes:
The linen wears quite well, although being linen it's quite wrinkly. I didn't do anything like underlining, because I wanted this to be a simple top. As before, no swayback, and I'm really grateful that this pattern doesn't require that particular alteration:
For the facing, I used a matching grey cotton since I didn't have enough linen for that as well. I used the overcast stitch on my machine to finish the edges for it, but I wasn't very happy:
... So I decided to turn under and topstich for the rest of the blouse. I find this is a decent finish. It also makes for a fully topstitched garment, and roughly an extra hour of sewing. I used cream thread, which is invisible from afar but an interesting detail close by.
One benefit of topstitching everything is that I didn't have to tack down the facing, since it got caught it:
For the button, I used a fairly heavy sun button I picked up in a local shop called Manor. I bought this about a year ago, before I moved to Switzerland:
It's quite pretty, and it matches the general summer-sun-happy state that I get from this blouse.
How about you? Do you have a favorite style or fabric type that makes you think of summer?
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